In March this year I welcomed a new release of works for
strings by British composer F L (Laurie) Dunkin Wedd www.dunkinwedd.com/welcome.htm At the time I noted that he is a composer of
great versatility yet with a clearly defined personal style and that his music
deserves a wider audience.
Dunkin Wedd’s
versatility is shown to even greater effect on a new release from Con Brio http://thethirdrelease.com entitled Lorelei.
Con Brio CBZ015 |
This new release features works for voice and tape as well
as a work for choir and organ and is available as a 21 minute ‘EP’ length CD or
as a download.
The title work Lorelei
(completed 2015) is a tribute to
the composer’s late aunt who lived near the sound of waves in Dorset, England.
Three female voices speak words and phrases over the sound of waves recorded on
the Dorset coast. The beautifully and atmospherically recorded wave sounds are
soon overlaid with the word ‘Listen’ by the three voices, Helen Carter, Mary
Rae and Carole Howlett who are set in an otherworldly acoustic. The music moves
through repeated ‘verses’ or ‘words’ and, although there is no conventionally
composed music here, there is a great musicality evocatively produced before
the voices disappear, leaving just the sound of the waves.
Brancusi (2008)
sets word sounds for alto with taped industrial and other sounds. The composer tells us that this piece honours
one of his favourite sculptors, Constantin Brancusi www.guggenheim.org/new-york/collections/collection-online/artwork/669
and like that sculptor’s Bird in Space,
speaks of where we have come from and where we are going.
In this remarkable work, Dunkin Wedd uses the device of musique concrete where, instead of
notating ideas on paper for performance by normal instruments, he has collected
‘concrete’ sounds and abstracted the musical values that they potentially
contain.
Bird song opens Brancusi
behind which the sound of a stream or brook appears. Suddenly the sound of an aircraft
and other industrial sounds intrude as mezzo soprano Susan Legg joins. A road
drill brings an amazing rhythmic accompaniment to the soloist as do the many
other industrial sounds, providing a rhythmic base. Susan Legg is quite
marvellous as she flows effortlessly and beautifully over the sounds which at
various times include a ringing phone and a crowd of voices. Later there are faster,
shorter phrases for the mezzo adding a certain increasing frenzy to the music
before the rumble of a storm is heard. The mezzo falls silent as sounds of rain
appear, then the sound of birdsong making a wonderfully cyclic return.
It is difficult not to be enthralled and drawn along by this
amazing piece.
Ruah - Meditations on
the Breath of God (2006) is for choir and organ and sets sacred texts from
the Tanakh, Ketuvim, Koran and New Testament, focusing on the Breath of God. It
has for its aim the ideal of world peace and is also a thanksgiving for the
gift of song.
Here the Tamesis Consort is directed by Jonathan Wikeley
with organist Martyn Noble. Deep organ sonorities combined with the voices of
the Tameses Consort open as sounds of breath are given in staccato phrases.
Soon the hushed, whispered word ‘Generation, generation’ is heard. Slowly a sonorous
choral sound arrives on the words ‘These are the generation of the heaven and
of the earth…’ There are some passages that bring the most lovely harmonies as Dunkin
Wedd combines his own individual style to that of the English choral tradition
with tremendous results. There is a particularly lovely moment halfway through when
the choir sing ‘Ah’ over a sustained organ motif. As the music develops there
is some fine part writing.
One thing that shines through all of these pieces is the
sheer musicality and poetry that Dunkin Wedd brings. The recordings from
various locations are first class. Whilst there are no notes in the CD, the
full English text of Ruah is given
inside the front cover of the CD digipack.
Whilst it is the more conventional choral work Ruah that is likely to immediately
appeal to listeners, I do hope that the other two works receive the widest
circulation.
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