French cellist Marc
Coppey www.marccoppey.com was
winner of the two highest prizes at the 1988 Bach competition Leipzig, first
prize and special prize for the best interpretation of Bach. He studied at Strasbourg and Paris
Conservatoires as well as at Indiania University, Bloomington. Lord Yehudi
Menuhin discovered Marc Coppey’s talent at an early age and subsequently
invited him to make his Moscow and Paris debuts by performing the Tchaikovsky
Trio with himself and Victoria Postnikova, a collaboration documented on film
by famous film director Bruno Monsaingeon. In 1989, Mstislav Rostropovitch
invited Coppey to the Evian Festival and from that moment on his solo career
took off.
A frequent soloist with the leading orchestras of today,
Marc Coppey has collaborated with many distinguished conductors such as Eliahu
Inbal, Emmanuel Krivine, Rafael Frühbeck de Burgos, Michel Plasson, Yan-Pascal
Tortelier, Jean-Claude Casadesus, Theodor Guschlbauer, Pascal Rophé, Yutaka
Sado, John Nelson, Raymond Leppard, Erich Bergel, Alan Gilbert, Lionel
Bringuier, Kirill Karabits, Paul McCreesh and Asher Fisch.
He has performed across Europe, North and South America and
Asia and in some of the most prestigious concert halls of the world and as a chamber
music player has performed the cello repertoire with such renowned artists as
Maria-Joao Pires, Stephen Kovacevich, Nicholas Angelich, Aleksandar Madzar,
Michel Beroff, Peter Laul, François-Frédéric Guy, Mikhail Rudy, Augustin Dumay,
Victoria Mullova, Liana Gourdjia, Tedi Papavrami, Ilya Gringolts, Laurent
Korcia, David Grimal, Gérard Caussé, Janos Starker, Marie-Pierre Langlamet,
Michel Portal, Paul Meyer, Emmanuel Pahud and the Prazak, Talich or Ebene
Quartets. From 1995 to 2000 he was a member of the Ysaÿe Quartet, performing at
the most prestigious international concert venues. Marc Coppey is a professor
at the Conservatoire National Supérieur de Musique de Paris and gives
master-classes all over the world. He performs on a rare cello by Matteo
Goffriller (Venice 1711).
Marc Coppey’s many
recordings have received critical acclaim worldwide. As artistic director of
the Zagreb Soloists www.zagrebacki-solisti.com
Coppey has recorded Cello Concertos by
Joseph Haydn and Carl Philipp Emanuel Bach as his debut recording for Audite www.audite.de
97.716 |
A short video about this recording can be found on the
Audite website http://www.audite.de/en/news/376-video_marc_coppey_zagreb_soloists_haydn_and_c.p.e_bach.html
)
The Zagreb Soloists were founded in 1953 as an ensemble of
Radio Zagreb, under the artistic leadership of the renowned cellist Antonio
Janigro and have since gained recognition as one of the world’s most
outstanding chamber orchestras. They have given concerts on all continents, in
all the major cities and the most famous concert halls such as the Musikverein
(Vienna), Concertgebouw (Amsterdam), Royal Festival Hall (London), Berlin
Philharmonic Hall, Tchaikowski Hall (Moscow), Santa Cecilia (Rome), Carnegie
Hall (New York), Opera House (Sydney), Victoria Hall (Geneva), Teatro Real
(Madrid) and Teatro Colon (Buenos Aires).
The Zagreb Soloists bring a spirited opening to the Moderato of Joseph Haydn’s (1732-1809)
Cello Concerto No. 1 in C Major, Hob. VIIb:1 (1761-5) providing a great
clarity that only a small ensemble like this can achieve. When he enters, Marc Coppey digs deep
bringing some rich incisive, expressive tones. As the movement progresses Coppey’s cello
really sings. The ensemble between soloist and ensemble is extremely taut both
bringing a beautifully created long musical line topped by a nicely
proportioned cadenza.
The Zagreb Soloists bring an exquisitely shaped opening to
the Adagio. When the soloist enters
he finds a lovely balance with the gentle orchestral line. This is a really
poetic conception with a fine rubato and a lovely tone that isn’t without
moments of more intense bowing. There is some beautifully controlled playing
from both soloist and orchestra.
The Zagreb Soloists bring a really lithe orchestral opening
to the Finale. Allegro molto with
Coppey bringing some exceptionally fine, fast and fluent playing pointed up by
some occasional rich deep chords. Again his cello really sings as he provides a
performance of real panache, finding a fine rapport with the ensemble.
The Zagreb players bring a lovely gentle opening to the Allegro moderato of Haydn’s Cello Concerto No. 2 in D Major, Hob. VIIb:2 (1783) with
nicely pointed dramatic phrases. Marc Coppey brings a fine emotional edge when
he enters, moving from rich mahogany passages to singing higher phrases in this
thoughtful, well-shaped performance, full of emotional thrust. There is a
wonderful precision as well as a finely played cadenza from which the soloist
extracts some fine textures and timbres from his instrument.
Marc Coppey brings a lovely wistful feel to the opening of
the Adagio reflected by the playing
of the Zagreb Soloists as they move through some exquisite softer passages
where this soloist brings a lovely hushed tone before a gentle coda
The Allegro brings
a lovely lilting sway as soloist and orchestra take this music forward with a
gentle rhythmic impetus. There are some fine, fast passages from Coppey as well
as some incisive passages, though with this soloist always extracting a fine
tone.
Carl Philipp Emanuel
Bach’s (1714-1788) Cello Concerto in
A Major, Wq. 172 dated from around 1753 having appeared in versions for
harpsichord and strings and flute and strings. There is a bright and buoyant
opening to the Allegro from the
Zagreb Soloists. When Marc Coppey enters he brings some really finely shaped
phrases and a lovely tone, weaving some fine musical lines as the music
progresses. There is some lovely rubato from both soloist and ensemble.
The Largo con sordini,
mesto brings a subdued, dark hued orchestral opening to which Coppey adds an
intense emotion. Though this cellist eases the tension to move ahead there is
still much pathos. Coppey provides some very fine tone from his instrument,
weaving a fine melancholy with the ensemble with a lovely, beautifully shaped
solo passage just before the gentle coda.
The Allegro assai
immediately throws off the melancholy as the Zagreb Soloists bound ahead,
punctuated by little gentler pauses. Coppey maintains the joyous element as he
brings some fine, fluent playing with moments of longer, flowing, singing cello
line as well as some fine textures
This performance could secure a whole new following for this
fine cello concerto.
Marc Coppey and the Zagreb Soloists deliver a freshness that
brings this music alive. They gain so much in terms of clarity and ensemble
with this small orchestra.
Coppey may only have been directing the Zagreb Soloists for
two years but it is obvious that they have already found a very close working
relationship.
This really is a fine release nicely recorded at Lisinski,
Small Hall, Zagreb, Croatia. The booklet notes take the form of an interview
with Marc Coppey.
All in all, a very recommendable recording of these works.
No comments:
Post a Comment