The latest release in
his Schubert recordings for Harmonia Mundi
www.harmoniamundi.com has the Piano
Sonata No.16 in A minor D.845 coupled with the Wandererfantasie D.760, Four
Impromptus D.935, Six Moments Musicaux D.780 and the Allegretto D.915
HMC 902136.37 (2CD) |
Paul Lewis’ recording of Schubert’s Piano Sonatas, D840,
D850 & D894 on Harmonia Mundi www.harmoniamundi.com
(HMC 902115.16) were nominated for this Instrumental Category of the 2012
Gramophone Awards www.gramophone.co.uk.This new release is no less fine.
Dating from 1822, the year of the unfinished eighth
symphony, the Wandererfantasie D.760 could pass for another sonata such
is its structural cohesion. From the opening there is formidable playing of
power, breadth and assurance, full of Beethovenian drama.
Lewis at times brings out the darkness and anger in the
Adagio contrasted against the lighter episodes where there is beautifully
limpid and fluent playing. After a superbly done Presto full of life, emotion
and fire, the finale, for all its forward thrust and sense of abandon, has
great warmth and humanity.
The second set of Four
Impromptus D.935 dates from 1827. There is plenty to engage the ear in this
performance. In the first Impromptu, Paul Lewis brings out the changeable mood
and rhythmic nature of the music with many wonderful little details. The second
Impromptu is full of Schubertian wistfulness whilst the third, a set of
variations on a theme from Rosamunde, flows beautifully with wonderful phrasing
that lifts the music perfectly. The fourth Impromptu, an allegro scherzando,
full of stamping rhythms, is never overdone yet with some thrilling playing.
Lewis brings power and assurance to Schubert’s Piano Sonata No.16 D.845 that allows Schubert to sound
like the formidable composer he had become by 1825 when this work was written.
There is the gravitas of Beethoven combined with the fantasy of Schubert. The
second movement andante has poise and grace with a beautiful flow to the music.
As this set of variations continues, Lewis builds moments of fine drama, poetry
and sparkling imagination.
There is a wonderful third movement scherzo full of little
touches that make the music so alive and spontaneous. The trio section is quite
exquisitely played. In the Rondo finale Lewis sustains a powerful rhythmic
impetus with the repeated chords that have hints of the ‘Great’ C Major
Symphony conceived around the same time. There is magnificent playing here with
a formidable coda.
The Six Moments
Musicaux D.780 from 1823-28 again allow Paul Lewis to show his ability to
capture Schubert’s fleeting changes of mood. There is a beautifully paced
Andantino contrasting the calm quiet beauty against the sudden outbursts of
drama and an Allegretto moderato that positively dances along and calls to mind
the ballet music from Rosamunde,
The fourth Moments
Musicaux almost harks back to Bach only in a more romantic guise
wonderfully brought out by Lewis. After the great rhythmic playing of the
allegro vivace the allegretto, a minuet and trio, brings the most sensitive and
thoughtful playing, drawing out all the pathos and bringing this fine
performance to a conclusion.
It was an excellent idea to end this CD with Schubert’s
short Allegretto D.915, another Moments
Musicaux in all but name, with much of the expressivity of D.780 contained in
just five minutes. Paul Lewis’ exquisite playing reveals all of this expressivity
to the full.
These are truly great performances from a natural
Schubertian that give enormous pleasure and insight. With first rate recorded
sound and excellent notes this set looks likely to repeat the success of the
Gramophone Award nominated issue. No lover of Schubert should miss this new
release.
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